One can determine a line in Tscherkassky’s oeuvre which turns around a game with filmic presentation, with degrees of recognisability — with the only-just and the not-any-more. Just to see desire. An example of this is Erotique. One sees swirling pictures, parts of a woman’s face, red lips, eyes in cyclical fragments of movement. Often it is difficult to tell which part of the body one actually sees (whoever wants to can see/imagine/think sexual organs and sexual acts.) The gaze gets hung up on partial objects, no integral, whole body to think about. No body, whose representation was always one of the problems in cinema.
Return to Reason
Drama
6.3
Return
Drama
6.4
Return of the Jedi
Adventure, Action, Science Fiction
7.9
Spider-Man: No Way Home
Action, Adventure, Science Fiction
7.9
Venom: Let There Be Carnage
Science Fiction, Action, Adventure
6.8
The Return of the Living Dead
Horror, Comedy, Science Fiction
7.2
The Shawshank Redemption
Drama, Crime
8.7
The Lord of the Rings: The Return of the King
Adventure, Fantasy, Action
8.5
The Super Mario Bros. Movie
Family, Comedy, Adventure, Animation
7.6
The Lord of the Rings: The Fellowship of the Ring
Adventure, Fantasy, Action
8.4
Doctor Strange in the Multiverse of Madness
Fantasy, Action, Adventure
7.3
The Empire Strikes Back
Adventure, Action, Science Fiction
8.4
Dune: Part Two
Science Fiction, Adventure
8.1
Halloween 4: The Return of Michael Myers
Horror, Thriller
6.2
The Gray Man
Action, Thriller
6.9
Forrest Gump
Comedy, Drama, Romance
8.5
Parasite
Comedy, Thriller, Drama
8.5
Star Wars
Adventure, Action, Science Fiction
8.2
Joker
Crime, Thriller, Drama
8.1
GoodFellas
Drama, Crime
8.5