One can determine a line in Tscherkassky’s oeuvre which turns around a game with filmic presentation, with degrees of recognisability — with the only-just and the not-any-more. Just to see desire. An example of this is Erotique. One sees swirling pictures, parts of a woman’s face, red lips, eyes in cyclical fragments of movement. Often it is difficult to tell which part of the body one actually sees (whoever wants to can see/imagine/think sexual organs and sexual acts.) The gaze gets hung up on partial objects, no integral, whole body to think about. No body, whose representation was always one of the problems in cinema.
Mikey and Nicky
Crime, Drama
6.9
Joker
Crime, Thriller, Drama
8.1
Blade Runner 2049
Science Fiction, Drama
7.6
Her
Romance, Science Fiction, Drama
7.9
The Witch
Horror, Fantasy, Drama
7.0
The Super Mario Bros. Movie
Family, Comedy, Adventure, Animation
7.6
Tenet
Action, Thriller, Science Fiction
7.2
Avatar: The Way of Water
Science Fiction, Adventure, Action
7.6
Halloween
Horror, Thriller
7.6
Bullet Train
Action, Comedy, Thriller
7.4
The Godfather
Drama, Crime
8.7
The Revenant
Western, Drama, Adventure
7.5
Avengers: Endgame
Adventure, Science Fiction, Action
8.2
Inception
Action, Science Fiction, Adventure
8.4
Nobody
Action, Thriller
7.9
Guardians of the Galaxy
Action, Science Fiction, Adventure
7.9
Happy Death Day
Comedy, Horror, Mystery
6.7
Ready Player One
Adventure, Action, Science Fiction
7.6
Parasite
Comedy, Thriller, Drama
8.5
Zootopia
Animation, Adventure, Family, Comedy
7.7