One can determine a line in Tscherkassky’s oeuvre which turns around a game with filmic presentation, with degrees of recognisability — with the only-just and the not-any-more. Just to see desire. An example of this is Erotique. One sees swirling pictures, parts of a woman’s face, red lips, eyes in cyclical fragments of movement. Often it is difficult to tell which part of the body one actually sees (whoever wants to can see/imagine/think sexual organs and sexual acts.) The gaze gets hung up on partial objects, no integral, whole body to think about. No body, whose representation was always one of the problems in cinema.
The Return
Horror, Drama, Thriller
6.1
Star Wars: Episode II - Attack of the Clones
Adventure, Action, Science Fiction
6.6
Return to Nim's Island
Family, Adventure
6.5
Spider-Man
Science Fiction, Action, Crime, TV Movie
6.2
Slayers Return
Animation, Adventure, Comedy, Fantasy
6.5
The Return
Drama
6.8
The Return
Horror, Science Fiction
6.8
The Return of the Living Dead
Horror, Comedy
7.2
Transformers: Titans Return
Adventure, Science Fiction, Fantasy
6.9
Return to Nuke 'Em High Volume 1
Comedy, Horror, Science Fiction
6.2
Return to Paradise
Drama, Thriller, Romance
6.4
[REC]³ Genesis
Horror
5.3
Return to Zero
Drama, TV Movie
6.7
Jarhead: Law of Return
War
6.5
A Nightmare on Elm Street 3: Dream Warriors
Horror, Thriller, Fantasy
6.7
Return to Horror Hotel
Horror, Science Fiction, Comedy
6.7
Return of the Seven
Western
6.2
The Return of Jafar
Family, Adventure, Animation, Romance
6.2
Spider-Man 2
Action, Adventure, Science Fiction
7.3
Urotsukidōji III: Return of the Overfiend
Animation, Horror
6.6