Live from the Royal Opera 2008. David McVicar’s powerful 2008 production of Strauss's opera – based on a play by Oscar Wilde – takes the controversial and disturbing film 120 Days of Sodom as its visual reference. The action is set in a debauched palace, which has suggestions of Nazi Germany. Strauss’s ravishing and voluptuous score adds to the sexual alchemy that is conjured by an international cast led by Nadja Michael in the title role. Salome is filmed for the big screen with High Definition cameras and recorded in true surround sound.
Darkland: The Return
Thriller, Action
6.4
Return
Animation
6.3
Halloween II
Horror, Thriller
6.6
Return
Documentary
6.5
Box
5.0
RETURN
Drama
6.9
Beethoven's 3rd
Family, Comedy
5.2
Finnick
Comedy, Adventure, Animation, Fantasy, Family
7.4
Return
Drama
6.5
Return
Horror, Fantasy, Romance
6.1
Spider
Drama, Comedy
6.5
Bonanza: The Return
Western, TV Movie
6.5
The Return of the Exorcist
Horror
6.3
Return
Drama, Fantasy
6.5
Ponniyin Selvan: Part I
Action, Adventure
7.1
Return
6.9
Scooby-Doo! and the Gourmet Ghost
Animation, Adventure, Family, Comedy
8.0
Demon Slayer: Kimetsu no Yaiba -To the Hashira Training-
Action, Animation, Fantasy, Thriller
6.5
Amarsi un po'...
Comedy
6.3
Sleepaway Camp III: Teenage Wasteland
Comedy, Horror
5.4
Steel Magnolias
Comedy, Drama, Romance
7.2
Quills
Drama
7.1
Beautiful Thing
Comedy, Drama, Romance
7.3
Farinelli
History, Drama, Music
6.6
Much Ado About Nothing
Drama, Comedy, Romance
6.9
Henry V
War, Drama, History
7.2
On Golden Pond
Drama, Romance
7.2
Ondine
Drama, Fantasy, Romance
10.0
Blame
Drama
6.7
Carmen Not Only According to Bizet
Comedy, Music, Documentary
8.0
The Humans
Drama
6.1
Gounod: Faust
Music
0.0
Giulio Cesare in Egitto
Music, Drama
0.0
Evita
History, Drama
6.1
The Turn of the Screw
Music, Horror, Fantasy, Drama
6.0
Právo na omyl
Drama
0.0
Benvenuto Cellini
Music
7.0
Mozart: Die Entführung aus dem Serail
Music
0.0
Академия детских наук. Музыка. Как сочинять оперы. Фильм 4
TV Movie, Family, Music
9.0
Apuntes sobre la tortura y otras formas de diálogo
Drama
2.0